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Showing posts with label Groundwork. Show all posts
Showing posts with label Groundwork. Show all posts

Judo Chokes - Understanding Shime-waza Fundamentals

Understanding Judo Shime-waza Fundamentals

Judo Shime-waza Fundamentals describes the principles behind choking techniques used to control and submit an opponent safely and efficiently. These techniques form part of the groundwork and require precision, timing, and awareness rather than brute strength. Practitioners study them carefully because they involve the neck and vital circulation systems.

According to The Safety of Judo Chokes, the goal of shime-waza is to render an opponent unconscious or helpless through controlled pressure.

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The Purpose of Shime-waza in Judo

Shime-waza belongs to the broader group of grappling techniques known as Katame-waza. These techniques allow a judoka to dominate an opponent on the ground through control and submission.

Rather than causing harm, the objective is controlled incapacitation. Properly applied techniques aim to end a contest efficiently while minimising injury risk. This aligns with Judo’s core principle of maximum efficiency.

Additionally, choking techniques often create a decisive finish in competition. They provide an alternative to pins and joint locks, especially when transitions occur during groundwork exchanges.

The Three Mechanisms of Judo Chokes

Judo Shime-waza Fundamentals emphasise three primary mechanisms used to apply effective chokes. Each mechanism affects the body differently and requires specific positioning.

First, vascular compression restricts blood flow through the carotid arteries. This reduces oxygen supply to the brain and produces rapid results.

Second, respiratory compression targets the trachea. This restricts airflow and creates discomfort, often encouraging a quick submission.

Third, chest compression limits lung expansion. This method appears frequently during pinning situations and reduces breathing capacity.

Among these, blood chokes are the safest (though like all Martial techniques, they are never 100% safe) when applied correctly.

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Precision Over Strength

Effective choking relies on accuracy rather than force. A well-placed grip on the carotid arteries requires minimal effort to achieve results.

Many beginners attempt to squeeze excessively, which reduces efficiency and increases fatigue. However, experienced judoka focus on positioning, angle, and timing instead.

This approach reflects the essence of Judo. Practitioners use techniques to overcome resistance rather than relying on physical power alone.

Furthermore, subtle adjustments often determine success. A slight change in grip or body alignment can transform an ineffective attempt into a decisive submission.

Control Before Application

Control plays a crucial role in successful shime-waza execution. Without proper control, an opponent can escape, defend, or counter the technique.

Judoka typically establish dominant positions before applying a choke. These positions include back control, mount, or strong pinning situations.

Once control is secured, the practitioner can apply pressure gradually and safely. This sequence ensures both effectiveness and safety during training and competition.

Common Shime-waza Techniques

Judo includes a variety of recognised choking techniques, each with distinct grips and applications. Examples include cross chokes, rear naked chokes, and triangle chokes.

These techniques often use the judogi, particularly the lapel, to create leverage and pressure. In other cases, the arms or legs apply direct compression to the neck.

Despite their differences, all techniques share the same underlying principles. They rely on positioning, timing, and precise application of pressure.

Timing and Physiological Effects

Timing significantly influences the effectiveness of a choke. When applied correctly, a vascular choke can lead to unconsciousness in approximately ten seconds.

Recovery typically occurs within ten to twenty seconds after release. This rapid recovery demonstrates the temporary nature of properly applied techniques.

Importantly, vascular chokes are generally painless before unconsciousness. In contrast, airway compression often causes discomfort before submission occurs.

Safety and Responsible Practice

Safety remains central to Judo Shime-waza Fundamentals. Practitioners must train under qualified supervision and follow established protocols.

Judoka learn to tap out when caught in a choke, signalling submission before unconsciousness occurs. Instructors monitor training closely and intervene when necessary.

Research and historical records show that properly supervised practice maintains a strong safety record. No fatalities have been directly attributed to shime-waza in Judo competition history.

You can explore more detailed safety insights in this JudoInfo article on choking safety.

Related Reading from Martial Arts Judo

For additional perspective, the article Shime-Waza: Choking And Strangling Techniques Are They Safe? explains the science behind choking and outlines safety considerations in training.

This resource reinforces the importance of supervision, proper technique, and awareness of physiological responses during practice.

Final Thoughts on Practical Application

Judo Shime-waza Fundamentals highlight the balance between effectiveness and responsibility. These techniques demonstrate how precision and control can overcome resistance without unnecessary force.

As practitioners develop their skills, they learn to apply chokes with confidence and care. This combination of technical mastery and safety awareness defines high-level Judo practice.





Judo Grappling Techniques Old School from Higashi Sr's 1995

Master Old School Judo Techniques: Effective Grabs and Chokes from Shintaro Higashi's 1995 Instructional Video

This instructional video featuring Shintaro Higashi provides an in-depth look into classic judo techniques that emphasize effective grabs, chokes, and control movements. Aimed at judokas of all levels, the video serves as a valuable resource for mastering traditional methods that remain relevant in modern judo practice.

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1. Demonstrating a Judo Technique for Control from Side and Sitting Positions

This section showcases a foundational technique crucial for maintaining control in both side and seated positions. Mastery of these positions is key to effective Judo practice.

2. Technique of Pulling Opponents with Neck Attachments

Here, the focus is on leveraging neck attachments to pull opponents effectively, demonstrating the importance of grips and control in Judo.

3. Applying a Choke While Controlling Opponent's Leg

This technique elaborates on the application of choke holds while simultaneously controlling an opponent’s leg, a critical skill for achieving positional dominance.

4. Arm Movement Techniques in Judo Grappling

The demonstration of arm movements is essential for effective grappling. This section highlights how fluid and precise arm movements can enhance performance.

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5. Effective Gripping Techniques in Judo

Gripping is fundamental in Judo and this section illustrates various gripping techniques that improve an athlete's ability to control their opponent.

6. Judo Technique for Effective Opponent Control and Throw Execution

This segment showcases the execution of throws while controlling the opponent, emphasizing the integration of control and technique in Judo practice.

7. Effective Control Techniques in Judo for Preventing Injuries

Injury prevention is crucial in any martial art. Here, the focus is on techniques that allow for effective control of opponents while minimizing the risk of injury.

8. Techniques for Effective Judo Throws and Body Positioning

This final section emphasizes the understanding of body positioning and techniques behind successful Judo throws, rounding out the exploration of effective Judo practices.







Sangaku Jime - An Analysis

Daria Bilodid's Revolutionary Sankaku Gatame

Daria Bilodid, an elite judoka, has introduced a remarkable variation of the Sankaku Gatame, setting a new standard in the world of judo. Her unique approach leverages her physical attributes and sharpens the efficiency of this technique.

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Physical Attributes and Their Impact

Standing at 5'8" (172 cm) and competing in the under-48 kg category, Daria Bilodid is notably tall for her weight class. Her long limbs and slim build give her a distinct advantage, particularly in Ashi Waza (leg techniques), Ouchi Gari, and Uchi Mata. These attributes also play a crucial role in her adaptation of the Sankaku Gatame, allowing her to execute it with a level of efficiency that is unprecedented.

Traditional Sankaku Gatame: A Review

To appreciate Daria’s variation, it is essential to understand the traditional Sankaku Gatame. The conventional approach involves positioning oneself on the same axis as the opponent. The judoka hooks a leg under the opponent’s armpit, forms a triangle, and then flips the opponent to complete the hold. This method, while effective, has a significant downside. The judoka must switch leg positions after the initial hook, creating a momentary gap that opponents can exploit to escape.

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Daria Bilodid’s Perpendicular Approach

Daria Bilodid’s version of the Sankaku Gatame addresses the inefficiencies of the traditional method. The key difference lies in her perpendicular positioning relative to the opponent, rather than aligning on the same axis. This adjustment allows her to hook her opponent immediately without needing to re-establish the position.

Once Daria establishes the triangle, she flips her opponent using leverage, eliminating the need to switch leg positions. This streamlined process not only saves time but also reduces the chances of the opponent escaping. The result is a secure hold that is nearly impossible to break once it is locked in place.

Practical Application in Competition

Daria's variation proves its worth in competitive settings. During her matches, she executes the technique with precision, transitioning smoothly from standing to the ground. Her version of the Sankaku Gatame is particularly effective because it requires minimal adjustment, making it almost instantaneous in application. In one notable instance against a Romanian competitor, Daria attempted an Ouchi Gari before transitioning seamlessly into her Sankaku Gatame. Her perpendicular positioning ensured the triangle was locked in immediately, leaving her opponent with no room for escape.

Efficiency and Technical Superiority

Daria Bilodid’s Sankaku Gatame is a game-changer in the world of judo. By eliminating the need to switch legs, she closes the window of opportunity for opponents to escape. This version is not only time-efficient but also technically superior. It maximizes leverage and minimizes effort, making it a preferred method for judokas seeking to enhance their groundwork.







Judo Jigoku Jime (Hell Choke) Combination

Judo's Jigoku Jime (Hell Choke) Combination: A Detailed Exploration

In Judo, the Jigoku Jime (Hell Choke) is a powerful and intriguing technique. Steve Cunningham, a seasoned martial artist, has expertly demonstrated this technique, offering valuable insights into its execution. This article delves into the Jigoku Jime combination, focusing on its mechanics, strategic application, and key points for successful implementation.

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Understanding Jigoku Jime (Hell Choke)

The Jigoku Jime, often called the Hell Choke, is a strangulation technique in Judo. It is primarily a combination of a chokehold and pinning move, aimed at rendering the opponent unable to continue. The technique is named for its intense pressure and the way it restricts the opponent’s breathing, making them feel trapped, much like being in "hell."

Steve Cunningham’s Demonstration

Steve Cunningham's demonstration of the Jigoku Jime (Hell Choke) combination showcases its brutal efficiency. Cunningham emphasizes the importance of positioning and grip, ensuring the practitioner can apply maximum pressure without expending unnecessary energy. His approach is methodical, breaking down the steps required to execute the choke effectively.

Key Components of the Technique

  1. Proper Grip and Hand Placement: The success of Jigoku Jime largely depends on how well the grip is established. Cunningham highlights the necessity of firmly securing the opponent’s collar or lapel. This allows for better control over the opponent’s upper body.
  2. Body Positioning: Positioning is critical in applying the choke effectively. Cunningham demonstrates how the practitioner’s body should be aligned with the opponent's, maximizing leverage and pressure. By positioning the body correctly, the practitioner can apply the choke with minimal effort while maintaining control.
  3. Applying Pressure: Once the grip and positioning are secure, applying pressure becomes the next crucial step. Cunningham stresses the importance of gradual pressure application, allowing the choke to take effect without giving the opponent a chance to escape. This method ensures a tighter choke and reduces the risk of counters.

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Challenges in Competition

While the Jigoku Jime (Hell Choke) is an effective technique in theory, its application in competition is another matter. In contests, it is rare to see this technique successfully executed. This doesn't mean it is ineffective, but it does suggest that it is significantly more challenging to perform in a live match than in a controlled demonstration.

A key factor in this difficulty is the positioning of Uke, the opponent. In demonstrations, Uke is often on their hands and knees, which makes it easier to establish the choke. However, in a competition, Uke is likely to be more defensive, often tucking up tightly. This defensive posture makes it considerably harder to secure the necessary grip and positioning to apply the choke.

Strategic Application in Combat

In live combat, the Jigoku Jime (Hell Choke) combination serves as both an offensive and defensive tool. It can be employed when the opponent is vulnerable, particularly after a successful throw or during a transition. Cunningham advises that practitioners remain patient and wait for the right moment to apply the choke, rather than forcing it prematurely. Timing is critical, as the choke requires precise execution to be effective.

Training Tips and Considerations

Practitioners should regularly drill the Jigoku Jime combination to build muscle memory and improve reaction time. Cunningham suggests practising with partners of varying sizes to understand how the technique adapts to different opponents. It is also important to be aware of the opponent's body language, as subtle shifts can indicate an opportunity to apply the choke.

Even though it’s challenging to pull off in a match, many coaches still teach this technique widely. Therefore, it remains worthwhile to examine Jigoku Jime as a technique for its own sake, whether it proves effective in competition or not.

A Versatile And Powerful Technique In Judo

The Jigoku Jime (Hell Choke) combination is a versatile and powerful technique in Judo. When executed correctly, it can quickly end a match. Steve Cunningham's detailed demonstration offers valuable guidance for practitioners looking to master this choke. By focusing on grip, positioning, and pressure, Judo practitioners can incorporate the Jigoku Jime into their repertoire effectively. Regular practice and strategic application will ensure that this technique becomes a reliable part of a Judo practitioner’s skill set. Even if it's rarely seen in competition, its potential effectiveness makes it worth studying.







Osaekomi-Waza: All Judo Pinning Techniques

Unveiling Osaekomi-waza in Judo: The Art of Immobilization

Osaekomi-waza, deeply rooted in Judo, harks back to ancient Japanese martial arts, evolving into a refined grappling technique. The focus is on controlling opponents through skilful and strategic immobilization, showcasing the art's sophistication. It encompasses diverse techniques, many of which are listed below, offering versatile options for practitioners.

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The Tactical Dance

Practitioners master the tactical dance of Osaekomi-waza, where precise body positioning and strategic grips play pivotal roles in immobilizing opponents. Exemplifying Judo principles of efficiency over power, requiring practitioners to use minimal force for maximum control and dominance. Continually adapting techniques, infusing innovation into traditional methods, creating a dynamic and evolving grappling style.

Mental Fortitude

Beyond physicality, success in Osaekomi-waza demands mental fortitude as practitioners navigate the challenges of control and opponent resistance. Mirroring a strategic chess match, where anticipating and countering an opponent's moves are critical elements for achieving and maintaining control.

Legacy of Mastery

The list of Osaekomi-waza's pinning techniques below forms part of Katame-waza (Grappling techniques). they add to the rich history and ongoing Judo evolution. They stand as a testament to Judo's enduring legacy.

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Osaekomi-waza (Pinning techniques)

Each link goes to, where possible a Kodokan video that demonstrates its method. I have also included, where possible, videos on the various escapes from each technique.

Kami Shiho Gatame (Top Four Corner Hold)
Kami-siho-gatame Escapes


Kata Gatame (Shoulder Hold)
Kata-gatame Escapes

Kese Gatame (Scarf Hold)
Kesa-gatame Escapes

Kuzure Kami Shiho Gatame (Modified Four Corner Hold)
Kuzure-kami-siho-gatame Escapes

Kuzure Kesa Gatame (Modified Scarf Hold)
Kuzure-Kesa-Gatame Escapes

Tate Shiho Gatame (Straight Four Corner Hold)
Tate-shiho-gatame Escapes

Uki Gatame (Floating Hold)
Uki-gatame Escapes

Ushiro Kesa Gatame (Reverse Scarf Hold)
Ushiro-kesa-gatame Escapes

Yoko Shiho Gatame (Side Four Corner Hold)
Yoko-shiho-gatame Escapes

The following are not demonstrated by the Kodokan

Mune Gatame version 1 (a variation of Yoko Shiho Gatame) Mune Gatame version 2 (a variation of Yoko Shiho Gatame) Kuzure Tate Shiho Gatame





Kuzuri Keza Katame For Beginners

Kuzuri Keza Katame For Beginners

Kuzuri Keza Katame For Beginners is a surprisingly complex activity. Though most don't realise it, it is made up of many separate movements. The following video is my way of helping beginners get the hang of it as quickly as possible.

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I discovered a long time ago that if you give most kids more than three steps in a process the chances are that they won't remember any of the steps. It's not the complexity of the instruction that is the problem, it is that the instruction is broken up into too many parts.

This was brought home to me when my eldest son was having trouble at prep school. We had him assessed and he had "short term audio memory loss". This basically means that at that age, he could not remember more than 2 instructions at a time. If you gave him more than that he would not remember any of them.

I Forgot The Instructions

It reminded me of my childhood. There was no such diagnosis back then but given the amount of trouble I got into because I forgot instructions, there is a good chance that I had similar problems to my son.

It turns out that with most children, in fact with many adults also, if you give them more than 3 instructions at a time the chances are, that they will not remember any of them. Whereas if you give them just three they will remember all of them. Of course, my son (and possibly me also) was the exception. He could only remember two.

This video is the perfect example of how I use the rule of three to make sure that most children are able to learn a throw or hold down.

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4 Instructions Or 3 Instructions

You could argue that I actually use 4 instructions in the video:
  1. Make a handle with your arm that is closest to your partner's head
  2. Feed your partner's arm that is closest to you through the handle
  3. Feed your other arm under your partner's other arm
  4. Turn your legs toward your partner's head
But if you try and make instructions 1 and 2 a single instruction you end up with:
  1. Make a handle with your arm that is closest to your partner's head and feed your partner's arm that is closest to you through the handle
  2. Feed your other arm under your partner's other arm
  3. Turn your legs toward your partner's head

Then it only becomes 3.

I Don't Always Get It Right

I'm not saying I always get it right. Particularly if there are a lot of interruptions as there are in the video. But I do find that trying to get as close to 3 instructions as possible is very successful.

Few if any child is going to get it all the first time. The younger they are the less likely they are to get it the first time. But I find as long as the child is never criticised for forgetting, they are happy for me to go over and over and over the instructions until they can remember them. This is enhanced by physically moving their bodies into the correct position whilst they are practising. This is where I usually do this repetitiveness, while they are trying to practice the hold or whatever. There really is nothing like individual instruction and physically doing the action to help them remember.

I know, I know, there are actually multiple instructions in each individual instruction. But I find that as long as you treat it as an overview and do not criticize the kids for forgetting they do retain part of it. they retain enough to get them started. Then you can break it down even further when you are doing individual instruction.

Make A Handle With Your Arm

For example, a child has only remembered the "Make a handle with your arm". Now you can tell them it has to be the arm that is closest to their partner's head. I then tend to move on to the next pair practising to give them some of the bits they are missing.

When I come back I find the child has remembered not only the handle but that it has to be the one nearest their partner's head. The rest is forgotten. Now the arm, its handle and that it is the arm nearest the head is one instruction and I can repeat it as one. 

Now I can tell them to feed their partner's arm that is closest to them through the handle.

When I come back I may find they have got the idea of feeding the arm through the handle but they are feeding the opposite arm instead of the one that is closest to them. I correct this and move on.

When I come back the fisrt instruction is now one whole istruction."Make a handle with your arm that is closest to your partner's head and feed the arm that is closest to you through the handle" and I can start on instruction 2, "Feed your other arm under your partner's other arm" and so on.

By The Time The Session Is Over

By the time the session is over, provided that no child has been critisised for not remembering they have turned mulipul instructions into just 3. As in:

  1. Make a handle with your arm that is closest to your partner's head and feed your partner's arm that is closest to you through the handle
  2. Feed your other arm under your partner's other arm
  3. Turn your legs toward your partner's head

There are plenty of other nuances with Kazuri-Kesa-Katame but as long as you just keep building on what they have learned by tring to keep the seperate instruction to 1 or 2 or 3 at a time you can get just about any student to learn the most complex movements.

Sure you could just go straight into the practice without the overview but I have found that the overview definatly helps to give the student a place to start. Even if they can't remember any of it, they know there is a clear starting place and will do their best to figure it out.









Tate-Shiho-Gatame (Vertical four-quarter hold) and Escapes

Tate-Shiho-Gatame (Vertical Four-Quarter hold) and Escapes

Tate-Shiho-Gatame roughly translated as Vertical Four-Quarter hold is possibly the weakest of the holds you can get. Unless you manage to wrap your feet around Uke's legs. Like they do in the first video.

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The problem is that it is very difficult to get your legs in that position in a Shiai (Judo contest). What makes this hold even worse in a sense is that it is also the one that is most often the easiest to get in Shiai.

Watching the escapes video (the last one) give you a bunch of hints on how to avoid having Tate-Shiho-Gatame reversed on you.

It basically can be summed up in one sentence:
"Unless you can tuck your feet under Uke, avoid tucking your knees in too tight."

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If you don't avoid tucking your knees in too tight it gives you no control against being rolled over or having your leg captured and traped.











Kata-Gatame Escapes

Kata-Gatame Escapes

The Kata-Gatame Escapes video below consists of three different escapes only one of which I have used a variation of, the first escape. The first escape is a very traditional escape but the other two rolling escapes I had not seen before.

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The beauty of a video like this is that it displays not just the escape but also the actual hold done properly.

I have never made a video of my variation. I'm afraid that if you want to learn it you would have to come to my classes. But I'm sure you can work out a variation with your Sensai that will work just as good. I will say that my version usually ends you up on top.

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It is easy to miss that the last escape is different from the second. So pay attention to the way the escapee is rolling.
  1. One is directly over his own back, trapping Uke's arm as he goes making sure the escapee ends up in a controlling position.
  2. The other is off to the side rolling diagonally resulting in the same controlling position

Of the two the last would by far be the easiest to execute because there is less resistance rolling sideways.









Kami-Shiho-Gatame: Judo Grappling Hold

Kami-Shiho-Gatame: Judo Grappling Hold

Kami-Shiho-Gatame is a Judo Grappling Hold. Kami-Shiho-Gatame is probably best translated North-south hold and I don't think when you look at the video you will have any trouble understanding why that translation is acceptable.

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The things to note about this hold is the use of the legs to control the head and how Tori's arms control Uke's arms. I always tell my students that if you control the head you control the body.

The other way of controlling the head is to lay flat and use your stomach to press on Uke's face.
The upside of doing it this way is that Uke's has trouble breathing through your stomach and submits quickly. Also laying flat allows you to spread your legs for greater control. You may need this control when Uke tries to escape as the traditional escape is for Uke to arch up, wrap their arms around you and try to rotate you off.

The downside of laying flat is that you can't always rely on Uke to be silly enough to leave their head where it can be laid on for suffocation purposes. 😀

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The position of the legs in the video is by far superior and done correctly will almost always stop Uke from trying to escape as they can't move their head to do so. So why mention the laying flat position?

Because in competition you are not always going to be given the ideal position and you will have to adapt to whatever you have available. Laying flay maybe your best option.









Kata - Gatame Escapes Part 2

Kata-Gatame Escapes Part 2

While technically there are three escapes from Kata-gatame in this video, practically there are only two. But all are effective unless the person on top has the hols on very well.

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I say there are only two because the rollover ones are the same except for direction.

The first of the rollover escapes is not only really hard to pull off in actual contest but even in practice has a significant element of risk. This is because as the person on top is forced to roll over there is potentially significant pressure on their neck.

The second of the two rollovers escapes is bay far, comparatively, much easier and safer.

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The escapee makes all of these escapes look so easy but they are in fact, very exhausting. So when you practice them make sure you put in the same amount of effort as you would for a contest.









Judo Ground Fighting: Tobi Kata Ha Jime

Judo Ground Fighting Turnover

Here is a video on a really useful Judo Ground Fighting Turnover.

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The biggest problem with the video is that the instructor talks way too much particularly in the beginning. I recommend that if you are impatient like me you skip through to about 54 sec in.

Other than that it is a good turnover. I do like the initiating turnover at the start as well so the upside is that you get two turnovers for the price of one.

These are both basic moves but their simplicity is what makes them work even at the elite level.

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The presenter calls it Tobi Kata Ha Jime and it's as good a name as any.

Of course, no one except the most inexperienced player is going to let you get your hand under the chin like that. So you are either going to have to work hard at the entry and hope that you don't run out of time or have your hand already there when you go to the ground. The latter is the most viable as long as you haven't deliberately dragged your opponent to the ground. That would be illegal.

The rule of thumb then is that when you throw, if you can tell it is going to be a pretty ordinary throw, don't let go of the collar unless it will cause and injury. Either to you or your partner.







Judo Ne Wasa (ground work) A 30 Minute Lesson

Judo Ne Wasa (groundwork) class in one video

This video a Judo Ne Wasa (ground work) A 30 Minute Lesson, goes for thirty minutes and I will tell you that I would not usually watch a Judo video for more than 15 minutes.

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Why? Because anything longer than that will usually bore my readers witless. It has to be something really special for me to persist beyond that point. This is really special.

It is an enormous shame that there is no description on YouTube. I can only hope that someone out in the Judo community recognizes this Sensai and is willing to pass it on. He clearly has a lot of experience and you would be wise to sit and watch the whole thing. It is broken up into a number of smaller lessons to make it easier.

For the less experienced Judoka

For the less experienced Judoka (Judo students) that may be watching this, there are a number of techniques that are illegal now and whilst I'm all in favour of keeping everything alive in judo, even the illegal stuff, you would need to be very careful when practising some of this illegal stuff. There is stuff here that will break a person neck without even trying hard so you should not do any arms around the neck stuff unless you are under experienced instruction.

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There is a little bit of standing work covered with quite some leg grabs. I'm a big fan of practising the leg grabs. It's all excellent for when the rule makers come to their senses and allow them back in: surrounded by enforced rules. More importantly, one or two of them could be easily modified so that you go nowhere near the leg with your hand. That would be a great surprise attack when fighting an unimaginative player.

The beauty of watching groundwork like this

The beauty of watching groundwork like this is that you remember stuff that you need to start teaching again and you can be sure that my Judoka is going to get a refresher that I hope they will remember. But I hope that the big take-home point that everybody will get is; "don't be limited to just using your hands or legs in judo Ne Wasa". There are plenty of uses for your opponent's JudoGi (Judo Suit).









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