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Drop Seoi Nage is NOT Seoi Otoshi

Drop Seoi Nage is NOT Seoi Otoshi

In this extensive and comprehensive exposition, Chadi delves deep into the intricacies and nuances of three fundamental judo techniques: Seoi nage, Seoi otoshi, and the hybrid between Tai otoshi and Seoi nage. With a passion for judo and a keen eye for detail, Chadi sets out to dispel the confusion surrounding these techniques that has persisted even among seasoned practitioners, including some who have competed in the Olympic Games.

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Chadi begins by elucidating the core elements of Ippon Seoi Nage, a classic one-handed throw commonly known as the "shoulder throw." He emphasizes the significance of close contact with the shoulder and back during the execution of this technique. As Chadi elaborates on the mechanics, one can almost envision the seamless flow of movements: the initial cut-down, the critical contact with the back that propels Uke over, and the lift, both subtle and apparent, that results from this contact.

Drawing from the experience of legendary judoka like Koga, Maruyama, and Inoue, Chadi skillfully dissects video clips to illustrate his points. The vivid demonstrations provide a captivating visual aid to his analysis. For instance, in Koga's example, Uke's legs lose contact with the ground due to the expertly executed shoulder throw. Conversely, in the case of Tai otoshi, Chadi emphasizes that while the legs are involved in the action, the primary focus is on cutting down with the arms, and there is no lifting of the opponent.

Next, Chadi scrutinizes Seoi otoshi, a technique that is often misunderstood and misidentified. With a meticulous eye, he zeroes in on the key aspect that differentiates Seoi otoshi from other techniques - the position of Tori's hips. When Tori drops to one or both knees, locking the hips in place, it is unequivocally a drop technique. The absence of any lift becomes apparent as Chadi highlights the contrast between Seoi otoshi and Seoi nage. Through an array of examples, including the impeccable execution by Ono in the 2016 Olympic Games, Chadi reinforces the concept of a "drop" as Tori merely blocks Uke's movement using the back and shoulder before cutting down.

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Moving on to Seoi nage, Chadi emphasizes the lifting aspect of this throw, a quality that differentiates it from a drop technique. With the hips playing a vital role in the levering action, Tori lifts Uke and drives forward, creating an arc that culminates in the opponent being thrown to the ground. Even in cases where the lift is lower, such as demonstrated in one of the examples from the Kodokan, the lifting action remains evident before the final throw.

Throughout the narrative, Chadi maintains a clear and coherent structure, allowing readers to follow along seamlessly. His dedication to the subject shines through as he provides numerous examples and explanations to ensure a thorough understanding of the differences between throws and drops.

Overall, Chadi's insightful review of the complex subject matter leaves readers with a profound appreciation for the artistry and precision of judo techniques. The inclusion of video clips further enhances the learning experience, making this analysis a valuable resource for both novice and experienced judo practitioners seeking to sharpen their skills and deepen their understanding of these techniques. Chadi's expertise and passion for judo are evident, and his efforts in demystifying the differences between these techniques are commendable, earning him praise as a knowledgeable and dedicated judo enthusiast.

Perhaps I could add one final comment. Many Judoka are not aware that if they place their leg outside Uke's leg for seionage, Tai-O-Toshi fashion, you are reducing the power of Seionage. This does not make it wrong but it may affect your training. In that you may want to train, at least some of the time, with your leg on the only sholder length apart, to compare the diffiernce in the power of the throw.

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