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Showing posts with label Coaching. Show all posts
Showing posts with label Coaching. Show all posts

Beginner Judo Techniques - Building Skills in the Right Order

What are the basic throws and techniques I will learn first? What do you teach as Beginner Judo Techniques?

When people ask about Beginner Judo Techniques, they often expect a list of throws they will learn during their first few classes. However, good Judo instruction involves much more than simply working through a syllabus. The order in which techniques are taught can significantly affect safety, understanding, confidence, and long-term development.

A beginner does not need twenty throws. Instead, they need a small number of techniques that they can understand and practise properly.

My beginner program therefore starts with breakfalls, followed by Tai-otoshi and Uki-goshi. Only after students gain a basic grasp of these techniques do I progressively introduce other throws.

This approach recognises an important principle. Beginner Judo Techniques should build upon one another rather than being presented as unrelated movements.

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Ukemi Comes Before Throwing

Before students can become comfortable throwing, they need to become comfortable being thrown.

This means learning ukemi, the breakfall skills that allow a Judoka to fall safely while protecting the head and controlling the body.

The basic falls include:

  • Ushiro ukemi – backward breakfall
  • Yoko ukemi – side breakfall
  • Mae ukemi – forward breakfall
  • Mae mawari ukemi – forward rolling breakfall

Judo Australia also places considerable emphasis on ukemi within its entry-level coaching material, including backward breakfalls and forward Judo rolls. Judo Australia's National Entry Level Program demonstrates this emphasis.

Learning to fall is not something that should be regarded as an optional extra. It provides the foundation that allows students to practise throwing with greater confidence.

I want students to understand that being thrown is an important part of learning Judo. They are not simply learning how to make somebody else fall.

Tai-otoshi and Uki-goshi

The first two throws in my beginner progression are Tai-otoshi and Uki-goshi.

I deliberately keep the initial repertoire small. Students need time to understand the basic principles involved before they are presented with numerous additional techniques.

These throws give students opportunities to develop important concepts such as balance, movement, kuzushi, positioning, and control.

More importantly, students begin learning how their own body movement affects their partner.

That understanding is more valuable than simply being able to reproduce the shape of a particular throw.

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Why I Teach O-uchi-gari Before Ko-soto-gari

Once students have gained a reasonable understanding of the first techniques, I introduce O-uchi-gari before Ko-soto-gari.

There is a simple teaching reason for this sequence.

Beginners often have considerable difficulty understanding the hooking action of their own leg. Therefore, teaching two different hooking actions at the same time can create unnecessary confusion.

I prefer students to gain at least a semi-mastery of one direction of the hooking action first.

Once that movement becomes familiar, I can introduce the inverse hooking action required for Ko-soto-gari.

This is an important aspect of Beginner Judo Techniques. Teaching order should consider how beginners actually learn, rather than simply following a list.

Once students understand both movements, they can eventually begin exploring combinations.

My article Ko-Uchi-Gari to O-Uchi-Gari Judo Throw Combination Technique explores the broader idea of linking techniques rather than treating every throw as an isolated movement.

De-ashi-barai Is About Timing

De-ashi-barai presents a different teaching problem.

At first glance, it can appear to be a relatively simple technique. However, successfully applying it requires timing that beginners often do not yet possess.

The throw depends upon recognising the right moment to attack the moving foot.

Therefore, I teach De-ashi-barai as a supplementary throw rather than making it one of the core techniques of the beginner program.

Students can practise it and gradually develop their timing without feeling that they must immediately master it.

That distinction matters because technical difficulty does not always correspond to how complicated a technique looks.

Why O-goshi Can Wait

O-goshi is one of the throws that many beginners want to learn.

It looks impressive, and it is relatively easy to recognise when watching Judo. However, I do not teach it immediately.

The reason is primarily connected with the fall.

O-goshi can produce a relatively high and sometimes hard fall. Consequently, students need a significant grasp of their falling skills before I introduce it.

My article O-Goshi: The Judo Throw Everybody Wants To Do discusses some of the common problems associated with learning this throw.

The article also emphasises that O-goshi depends upon leverage, balance, positioning, and kuzushi rather than simply lifting the opponent.

That reinforces an important principle. A throw should not be introduced merely because students are eager to learn it.

The student's existing skills should determine when the technique becomes appropriate.

Why O-soto-gari Is Delayed

O-soto-gari provides perhaps the clearest example of why apparently simple techniques require careful teaching.

In principle, O-soto-gari is relatively easy to explain and understand. However, when performed incorrectly, it can potentially create a dangerous situation.

The person receiving the throw needs good head control before practising the technique safely.

There is also another practical reason for delaying O-soto-gari.

Beginners have a remarkable tendency to use it during Randori, sometimes regardless of whether the situation actually calls for it.

For reasons that are difficult to explain, O-soto-gari can become the answer to almost every problem.

Students may attempt another technique, encounter resistance, and suddenly decide that O-soto-gari must be the solution.

Consequently, delaying the technique has a long-term benefit.

I want students to develop a repertoire that includes O-soto-gari, rather than a repertoire consisting almost entirely of O-soto-gari.

My article Osoto-otoshi, Osoto-gari & Osoto-gaeshi: What Is The Difference? explores some of the technical distinctions surrounding this family of techniques.

The point is not that O-soto-gari is a bad beginner technique. Instead, it is a technique that benefits from being introduced at the appropriate time.

Uchi-mata Is Not a Beginner Throw

Uchi-mata is another technique that I regard as advanced.

I have never completely understood why some instructors introduce it so early in a student's development.

Uchi-mata requires considerable coordination, balance, movement, timing, and body control. Those qualities take time to develop.

There are many other throws that provide better opportunities for beginners to develop their fundamental Judo skills.

Consequently, I prefer students to develop a broader technical foundation before they begin working seriously on Uchi-mata.

Groundwork Begins With Control

Beginner Judo is not limited to throwing.

Students also need to develop basic osaekomi-waza, or holding techniques.

My preferred sequence begins with Kesa-gatame and develops naturally into Kata-gatame.

I regard these techniques as a sequence rather than completely separate techniques.

Students can therefore learn how the position and control of Kesa-gatame can develop into Kata-gatame.

Other basic holds can then be introduced as the student's understanding develops:

  • Kesa-gatame – scarf hold
  • Kata-gatame – shoulder hold
  • Yoko-shiho-gatame – side four-quarter hold
  • Kami-shiho-gatame – upper four-quarter hold

My article Osaekomi-waza: All Judo Pinning Techniques provides a broader look at the holding techniques used in Judo.

Technique Before Quantity

A beginner does not become a better Judoka simply by learning more throws.

Instead, they improve by developing an understanding of the techniques they already know.

A useful beginner progression therefore looks something like this:

  • Develop reliable breakfalls.
  • Learn Tai-otoshi and Uki-goshi.
  • Develop sufficient understanding before adding more throws.
  • Introduce O-uchi-gari before Ko-soto-gari.
  • Practise De-ashi-barai as supplementary timing work.
  • Delay O-goshi until falling skills are sufficiently developed.
  • Delay O-soto-gari for safety and repertoire development.
  • Leave Uchi-mata until the student has developed greater technical ability.
  • Develop groundwork through Kesa-gatame and Kata-gatame.

This progression is not about deliberately making Judo complicated.

Instead, it recognises that students learn more effectively when each new skill has a relationship with something they already understand.

Judo Australia similarly emphasises gradual development and supervised practice, with students learning proper falling techniques as part of safe progression.

Build a Repertoire, Not a Single Throw

One of the most important goals of beginner Judo should be developing options.

A student who knows one throw extremely well has achieved something valuable. However, a student who can recognise different opportunities has begun developing genuine Judo adaptability.

That is particularly important once Randori becomes part of training.

Randori teaches students that techniques do not happen exactly as they did during a demonstration. Partners move, resist, react, and create unexpected opportunities.

Therefore, students need enough techniques to respond appropriately.

This is where the careful progression of Beginner Judo Techniques becomes important.

The goal is not to rush students through every throw in the Gokyo. The goal is to give them enough understanding to begin solving problems through Judo.

Learn the Technique, Then Learn When to Use It

Learning a Judo technique involves more than remembering where to put your feet.

Students need to understand balance, movement, timing, positioning, safety, and their partner's reactions.

That understanding takes time.

Therefore, a good beginner program should resist the temptation to teach techniques simply because they appear on a grading syllabus.

Students should have opportunities to practise each technique repeatedly. They should also have opportunities to experience what happens when the technique does not work.

That process gradually changes a technique from something they can demonstrate into something they can actually use.

Build Your Judo One Technique at a Time

Beginner Judo Techniques should provide the foundation for everything a Judoka learns later.

The best starting point is therefore not the largest possible collection of throws. It is a carefully chosen group of techniques that develop falling, balance, movement, control, and confidence.

Start with ukemi. Develop Tai-otoshi and Uki-goshi. Add techniques progressively as the student's skills justify them.

Give O-uchi-gari time before introducing Ko-soto-gari. Develop De-ashi-barai's timing without demanding immediate mastery.

Wait until students can fall confidently before teaching higher-risk throws. Delay O-soto-gari until students have developed a broader repertoire.

Most importantly, remember that every student develops differently.

The objective is not simply to teach a student more Judo. It is to help them understand the Judo they are learning and apply it appropriately.

That is how a collection of beginner techniques gradually becomes the foundation of a capable Judoka.





Double Guessing In Judo - How It Affects Everything

Commitment Over Doubt in Judo, Sport, and Everyday Life

I often remind my students that Commitment Over Doubt begins the moment they step onto the mat, before a single grip is taken. In that first instant, a choice forms between trusting their preparation or questioning every movement that follows. Because Judo reveals hesitation so clearly, it becomes an honest teacher for how we approach pressure in other parts of life. When a throw starts with uncertainty, the body stiffens, the timing fades, and the partner feels the break in flow. Therefore, I encourage my students to move with purpose, even when the outcome feels uncertain or imperfect.

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Learning Through Motion, Not Hesitation

During practice, students often pause mid-throw to check if their feet or hands are correct. However, this pause usually causes the technique to fail, even if the initial setup was solid. As a result, they learn less from the attempt because the experience never reaches its natural finish. Instead, I ask them to complete the motion safely, then reflect on what worked and what did not. This approach mirrors how athletes in other sports develop confidence through repetition rather than endless analysis. For example, research on skill acquisition highlights the value of deliberate practice and feedback over constant self-monitoring. You can explore this idea further through resources like the American Psychological Association’s overview on practice and performance.

Scripture and the Call to Steadiness

My perspective also draws deeply from a verse in the biblical letter of James (Ch.1: 6 -7) that speaks about doubt and instability. James compares the doubter to a wave, pushed by every shifting wind rather than guided by a steady direction. When I read this, I immediately picture a student who begins a throw, then pulls back in fear. The movement loses its line, and the moment disappears, just like a wave losing shape against the shore. In this sense, Commitment Over Doubt becomes more than a coaching phrase because it reflects a spiritual posture. Faith here does not mean reckless action, but confident action built on preparation and trust.

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Preparation Builds Trust in Action

I never tell my students to ignore safety, because caring for a partner always comes first. Surprisingly, to some, being safe requires cooperation from your partner, in that it may mean them falling, even though the throw was not effective. What I do encourage is full engagement once the movement begins and the conditions feel safe. Preparation through drills, ukemi, and repetition builds a foundation that supports confident commitment. When that foundation feels strong, the body responds more naturally, even under competition pressure. Sports science often describes this as entering a “flow state,” where action and awareness align smoothly. You can read about this concept in more detail through Positive Psychology’s overview of flow.

Extending the Lesson Beyond the Mat

This lesson extends far beyond Judo, as daily decisions often have such patterns of hesitation. People hesitate to start projects, speak honestly, or try new opportunities because they fear making mistakes. Yet, progress usually comes from action, reflection, and adjustment rather than endless planning. In my experience, students who commit to movement also commit more fully to challenges outside the dojo. They begin to trust their preparation at school, work, and within relationships. Therefore, the mat becomes a training ground for character, not just for technique.

Mistakes as Teachers, Not Enemies

I remind my students that mistakes reveal the exact place where growth begins. When a throw fails, it highlights which grip, step, or angle needs attention next time. When a life decision stumbles, it offers insight into what preparation or support might be missing. By treating errors as information rather than embarrassment, confidence grows steadily over time. 

Choosing Commitment Each Day

Every class gives my students a fresh chance to choose action over hesitation. Every day, the same opportunity in my own decisions and responsibilities. Through practice, reflection, and faith, I continue to see how Commitment Over Doubt shapes both performance and perspective. This steady choice builds momentum, resilience, and a sense of purpose that carries beyond the training hall. In the end, the lesson remains simple yet demanding; it asks for wholehearted engagement in every step we take.

You may also find these posts useful:





Yoko-Otoshi - 横落 - & Its Best Execution

Understanding and Applying Yoko-Otoshi in Judo

Yoko-Otoshi (横落, "Side Drop") is a side sacrifice throw in Judo, classified under Sutemi-waza (sacrifice techniques), specifically Yoko-sutemi-waza (side sacrifice techniques). It's one of the original 40 throws developed by Jigoro Kano and belongs to the Gokyo no Waza, fifth group.

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Basic Mechanics

Tori off-balances Uke to the front corner or directly forward, then drops to the side, pulling Uke over and across their body. Unlike many throws that require a sweeping or lifting motion, Yoko-Otoshi relies heavily on timing and direction of force.

Key Points

  • Off-balance: Pull Uke forward and slightly to the side.
  • Entry: Step across Uke’s body while maintaining kuzushi (balance breaking).
  • Execution: Drop directly to your side (not your back), and pull Uke over the top.
  • Landing: Uke falls forward and diagonally, while Tori stays mostly on their side.

Common Setups

Yoko-Otoshi works well against opponents who resist forward throws or are pushing into you. It’s often paired with feints like Seoi-nage or Tai-otoshi.

Variations and Related Throws

  • Yoko-gake: Similar drop, but more of a hooking action on Uke’s leg.
  • Tani-otoshi: Also a side drop but usually done as a counter.
  • Hikikomi-gaeshi: From a pulling guard-like position, often seen in competition transitions.

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Timing and Control in Yoko-Otoshi

Yoko-Otoshi depends more on timing than strength. Tori must sense the right moment when Uke is vulnerable to a forward or diagonal pull. This often happens when Uke pushes forward or attempts to resist backward motion.

Rather than forcing the throw, Tori should guide Uke's momentum. A well-timed pull and sudden drop to the side can unbalance even a larger opponent. The effectiveness of Yoko-Otoshi lies in redirection rather than collision.

Judoka often learn this technique after gaining experience with basic standing throws. It requires confidence in falling, precise control of the hands, and understanding of kuzushi. Attempting it too early in one's training can result in poor execution or injury.

Hand Placement and Body Movement

Gripping plays a key role in Yoko-Otoshi. A standard sleeve and lapel grip offers the best control. As Tori drops to the mat, both hands must stay active. The pulling arm guides Uke’s fall, while the lapel grip maintains tension and direction.

Tori's body movement resembles a side roll. The hips drop low, the shoulders turn, and the back leg extends for support. Avoid collapsing backward. Instead, commit to the side drop, keeping your spine aligned and your core engaged.

The goal is to create a void where Uke loses balance and falls into it. If done correctly, Uke should land cleanly, with little resistance.

Common Mistakes to Avoid

One common error is falling backward instead of sideways. This shifts the direction of force and reduces control. Another mistake involves a weak grip or pulling too early. Timing is critical, and releasing too soon causes Uke to regain balance.

Tori must also avoid sprawling or twisting during the drop. Clean movement ensures Uke’s fall is direct and controlled. Always keep your body compact and your focus on guiding Uke’s upper body.

Yoko-Otoshi in Randori and Competition

While less common in competition, Yoko-Otoshi appears as a surprise attack or counter. Judoka sometimes use it after failed forward throws. It also works well against aggressive opponents who lean too far forward.

In randori, Yoko-Otoshi provides an excellent way to develop sensitivity to balance shifts. It teaches the value of timing, angle, and commitment. Practising this throw helps judoka develop a deeper understanding of side sacrifice techniques.

By mastering Yoko-Otoshi, you gain access to a subtle but powerful tool in your judo arsenal.







Older Practitioners Judo Techniques

Adapting Judo Techniques for Older Practitioners

As age brings wisdom, it often also brings physical limitations. Many older practitioners of Judo face challenges due to injuries or reduced mobility. However, with proper adaptations, they can continue to enjoy the art and practice of Judo at a high level. Mark Gilston, a 4th-degree black belt in Judo and a black belt in Brazilian Jiu-Jitsu shares valuable insights on adapting Judo techniques for older practitioners.

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Understanding the Need for Adaptations

Practicing Judo can be demanding on the body, especially for older athletes. Physical limitations may make traditional techniques difficult or impossible. To enjoy Judo and remain competitive, practitioners must learn how to modify their skills. Gilston emphasizes that adapting techniques ensures safety and fosters continued participation in the sport. This is critical for physical health and personal enjoyment as well.

Key Techniques for Older Practitioners

Among the fundamental techniques that can be adapted, Gilston highlights several key throws:

  • Hip Throw: This classic throw is fundamental in Judo. By altering the weight distribution and body mechanics, older practitioners can perform the hip throw without excessive strain.
  • Harai Goshi: This sweeping throw effectively uses hip rotation. Practitioners can execute it more safely by focusing on balance and control, which reduces the risk of injury.
  • Tai o Toshi: This throw emphasizes timing and balance. Gilston advises that older practitioners should practice this technique at a controlled pace to ensure safety.
  • Sacrifice Throws: Although more demanding, sacrifice throws can be modified for safety. Elevating the focus on technique allows practitioners to use their opponents’ momentum effectively.

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Building Confidence and Skills

As older Judo practitioners adapt techniques, they build confidence in their abilities. Practitioners can engage in drills that emphasize these adapted techniques while participating in classes that encourage inclusion. Gilston advocates for practice sessions that promote safety and enjoyment, prioritizing both effectiveness and fun.

Continuing the Journey

Judo offers numerous benefits, including physical fitness, mental focus, and social interaction. By adapting Judo techniques for older practitioners, individuals can maintain their skills and stay active in their training. Continued practice not only keeps them fit but also helps enrich their lives through community and shared experiences in the dojo.

Embracing adaptations in Judo allows older athletes to enjoy this martial art for years to come. By focusing on techniques that respect their physical abilities, older practitioners can remain engaged, motivated, and connected to the Judo community. Effective adaptations are key to sustaining a lifelong journey in this beautiful sport. Book A Class at Newport Judo (Australia)







Understanding Judo - It May Be More Than You Think

Understanding Judo: A Quick Guide

Judo is a dynamic martial art that combines physical skill with mental discipline. Below are two videos to help in your understanding of Judo. The second Video is by Mark Gilston, a 4th-degree black belt in Judo from Cleber Luciano, who teaches judo techniques for use in judo and BJJ. The First video is "A Quick Guide to Judo by the International Judo Federation." It is an excellent resource for anyone looking to understand the basics of this fascinating sport. Presented by former World Champion Neil Adams, it covers essential elements such as rules, scoring systems, and judo etiquette.

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From The Neil Adams Video:



Judogi: The Judo Uniform

Every judoka wears a judogi, which consists of a jacket and a belt. The judogi is designed to withstand the rigours of training and competition. It is crucial for practice sessions and tournaments alike. Competitors must wear the correct judogi to adhere to international standards during matches.

Scoring Techniques in Judo

Scoring is a fundamental part of judo matches. The highest score, known as ippon, leads to an immediate victory. A judoka can achieve ippon through various techniques, such as throwing their opponent onto their back. Hold-down techniques require a competitor to control an opponent on the mat for 20 seconds, while strangle techniques force the opponent to submit. Understanding these scoring techniques helps spectators and participants appreciate the sport's complexity.

The Golden Score Rule

In judo, matches that end in a draw can enter a "Golden Score" period. During this time, the first judoka to score wins the match. This rule adds exciting tension to closely contested bouts, making every move crucial. Competitors must stay alert and strategic in the Golden Score phase to secure a victory.

Judging and Penalties

Judging in judo is objective and based on specific criteria. Competitors earn points for effective techniques, and the judges evaluate their performance accordingly. Conversely, penalties like shido (minor infractions) can impact a judoka’s score. Familiarity with judging criteria helps athletes navigate their matches successfully.

Emphasizing Judo Principles

The "Quick Guide to Judo by International Judo Federation" emphasizes the importance of respect and fair play. Participants are encouraged to show respect to their opponents and officials. Adhering to these principles enhances the spirit of judo and promotes a positive training environment.

Whether you are a beginner or someone with experience, understanding the basics of judo through this guide can significantly enhance your appreciation of the sport. Dive into the world of judo and discover the discipline and excitement that awaits.

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From The Mark Gilston Video:



What is Judo?

The second Video (below) is by Mark Gilston, 4th degree black belt in Judo, and BJJ black belt under Sean Cooper and Cleber Luciano, who teaches judo techniques for use in judo and BJJ. The video showcases judo's importance in both judo and Brazilian Jiu-Jitsu (BJJ).

Key Moments:

Key PointsDescription & Time Stamp
History Judo has a rich history that emphasizes its development as both a martial art and a competitive sport. @ 0:34
Olympic Judo Judo is featured in the Olympics, showcasing both individual and team competitions. @ 1:48
Standing Throws Techniques focused on throwing opponents from a standing position. @ 2:59
Entry and Execution It is important to enter throws effectively and execute them properly. @ 3:36
Hand Throws Techniques specifically involving the use of hands during throws. @ 3:47
Hip Techniques Throws primarily utilizing the hip to leverage physical strength. @ 4:07
Leg Techniques Techniques that incorporate the legs in throws, offering different strategies for takedowns. @ 4:26
Sacrifice Techniques Methods that involve sacrificing one's position to achieve a throw or submission. @ 4:50
Pinning Techniques Techniques used to immobilize opponents on the ground. @ 6:26
Hold Downs Keeping an opponent in a controlled position to score points or gain control. @ 6:59
Joint Locks Techniques focused on immobilizing an opponent through joint manipulation. @ 8:39


Corrections

There are some corrections that I think should be mentioned, to the Mark Gilston video: Grabbing the legs was, according to my understanding, not removed from Judo competition (called sport judo in the video) because it gave an advantage to players with experience in other grappling sports. It was removed because the Olympic committee were looking at eliminating Judo from the Olympics. To them, with the leg grabs in the contest, it looked too similar to the Greeko-Roman wrestling that was still in the Olympics at the time. It was therefore decided that the best way to distinguish Judo was to eliminate the leg grabs. Ironically, I am now told that Greeko-Roman wrestling itself was almost eliminated from the Olympics because it was not popular enough outside the USA.

Still, the no-leg grab rule remains in force. Partly because it is argued, that its elimination has made Judo more spectacular visually. As a traditionalist, I have misgivings about this but it is what it is and it in no way stops coaches from teaching all the other techniques in the club. As long as competition players know they cannot use them in a contest.

Chokes Across The Windpipe And Standing Arm Bars

From my perspective chokes across the windpipe and standing arm bars were always rare in contests. Honestly, they were always hard to get and the time spent going for them can be more efficiently spent in other ways. It's not like an MMA fight where you have rounds. In Judo you only get one round of 4 minutes. No one wants to waste time. Even in MMA standing armbars are rare because they are so hard to get.

Judo's striking techniques: 当身, あてみ

Judo's striking techniques are discussed under Atemi Waza and Self-Defence: Potent Points - Atemi Wasa - Striking. Also these Atemi Waza books will give a lot more detail and history of striking in Judo.







Staying Safe from Trafficking - Kidpower Shorts – Episode 12

Understanding Human Trafficking

Why would I broach this topic in this blog? Because Human trafficking is a worldwide problem that affects every country. Including the one you live in. No one can possibly talk about self-defence without giving your students information on staying safe from human trafficking. 

Human trafficking is a severe issue affecting millions worldwide. Educating ourselves about this topic is crucial to recognize who is affected. By understanding the dynamics, we can better protect vulnerable individuals and take proactive steps to combat this crime. Human trafficking involves the exploitation of people through force, fraud, or coercion for various purposes, including forced labour and sexual exploitation.

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Recognizing Signs of Trafficking

Recognizing the signs of trafficking is essential for everyone. By being aware of our surroundings and understanding the indicators of potential trafficking situations, we can help prevent this crime. Some signs include individuals showing signs of physical abuse, fear, anxiety, or being controlled by someone else. Other indicators are people who seem to be living at their workplace, lack freedom of movement, or have inconsistent stories.

Taking Action to Stay Safe

The video emphasizes the importance of taking action to stay safe from human trafficking. Managing positive triggers, setting clear boundaries, and seeking help even when feeling guilty or ashamed are crucial steps. Resisting emotional isolation is vital in maintaining safety. Staying connected with supportive friends and family can provide a strong safety net. When you feel something is wrong, trust your instincts and seek assistance.

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Emotional Coercion

Emotional coercion is a tactic used by traffickers to control their victims. The video provides guidance on recognizing and resisting this form of manipulation. By understanding emotional coercion, individuals can take charge of their safety and empower themselves. Traffickers often use guilt, fear, and shame to keep their victims trapped. Recognizing these tactics can help individuals break free from their influence.

Empowerment and Safety

Empowerment is a key theme in staying safe from trafficking. Knowledge and awareness are powerful tools in preventing human trafficking. By educating ourselves and others, we create a safer community. The video equips viewers with the knowledge and skills required to identify, understand, and take action against human trafficking. It highlights the importance of emotional strength and resilience in resisting coercion.

Staying Safe from Trafficking

Staying safe from trafficking involves understanding the issue, recognizing signs, and taking proactive actions. The video provides valuable insights into emotional coercion and emphasizes safety and empowerment. By staying informed and vigilant, we can all play a role in preventing human trafficking. Protecting ourselves and others from this crime requires continuous education and awareness. Stay safe, stay informed, and take action against human trafficking.







Judo Class Management Tools

Tools For Managing You Judo Class

It a lot of experience to gather my Judo class management tools. 

I have been fortunate to have a lot of experience in working with people and have had a lot of good mentors over the years. I never thought anything of it until one day I was asked by another younger instructor to teach him what I knew about class management. So after spending a lot of time writing down what I knew for this young instructor, I thought that maybe there are others out there that may want to hear it too. And let's be honest, parents of potential students these days are also wanting to know "How I am Managing Student Behavior In Class". Most of this, if not all, will be obvious to an experienced instructor. But who knows I may have an idea or two worth stealing. You can be certain I will make use of the good ideas of others when I see them, so I should expect nothing else from other good instructors.

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Voice

Vary your voice

I Save YELLING for dangerous or urgent or last resort type situations

Whispering: I do this as soon as I gather the children together because if you wait they will start to get their own conversations going and they won't hear you.

Alternatively, I whisper an instruction to one student at a time

As a lifeguard at the local swimming pool, I have become very adept at directing people with my eyes, a nod of my head or a motion of my hand. This comes in very handy at judo. The students have to be confident that you will follow this up with something stronger if they don’t comply, however.

The Power Of Shhhhh!

You will often hear people calling shhhhh! in a very aggressive way and it usually does not work. But I have found it to be a very effective tool in settling down students; and not just children.

If I don't do it aggressively and start as loud as I can and work my way down to as low as I can. I continue to Shhhhh until I run out of breath or until it has had the desired effect. If it has not been completely effective I start the shhhh again but only slightly louder than where I finished. So far, I can't think of an instance where it hasn't worked to settle everybody down.

I have had one instance where it was working a little too successfully and the person I was helping resented my effectiveness (and possibly the apparent “childishness” of it all) and they told me to stop. Unfortunately, the act of stopping me resulted in them almost losing control and they had to work very hard to regain it.

Despite the above event, the power of Shhhh has proved itself almost every time I have used it. Though I would not use it all the time, in case it loses its power.

Calling The Student By Name

I think you will have gained the idea that I am a big believer in getting people's attention first in order to maintain discipline. One of the best ways I know to get attention is to speak to a student by name.

Now obviously you can do this when a class is working away and you are giving individual attention to each student. That is something that all coaches and teachers should be doing during class, but I don't mean that.

I'm talking about when a class has started to become unruly and is fracturing.

It is very labour intensive and I would never do it if I had to direct a group that has become unsafe but if I have the time and it is safe to do so because the unruliness and fracturing are just beginning, it is not unusual for me to go around and speak to each individual student quickly and quietly to get their attention and gather them together or set them on a task to order.

It can be very hard work and takes a bit of practice but it beats the living daylights out of yelling.

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Counting Down Improves Reaction Time

I'm sure that you have heard about the idea of counting to ten to cool off before you overreact and this is something that I highly recommend when you are about to explode. But there are other ways to use a countdown that help to bring a class together.

When I want students to come together for an activity I will start at 5 and count down to 1. There is never any consequence for being late but they still respond. Mind you I spent a lot of time training them. Whenever I have a game I will count down to encourage them to the starting point quickly and then start the game the instant I get to 1 whether they are ready or not. If the game is too chaotic as a result of this I tell them I am restarting the game and then restart the game, interrupting play with a countdown from 5 to 1. I keep doing this until they get to the start quick enough and then I let the game run through.

The process takes a few games for the students to get the picture but once they get it I can use it again and again on all sorts of activities; not just games.

Breathing

This is kind of a step up for dead fish or statues above. This one has even more science than the others. If you breathe in the correct way there is a nerve running down your neck that is stimulated. If the class is getting out of hand I sometimes call everybody to breathe. They instantly know what I mean because I have taught them.

The effect is sometimes mind-blowing. There is an instant calm that runs through the air and over the whole class.

The method is simple:

Perch your mouth as though you were going to whistle but DON'T whistle and then squeeze it a little tighter. Now breathe through your mouth, in and out very slowly. Big deep breaths. Keep this up until calm is restored and then return to your lesson.

The same can be done by breathing in through your nose very slowly and out through your mouth as above. It's not quite as effective but if someone has a blocked nose it still works and is very meditative.

Tell Stories To Make A Point Or Teach A Lesson

If you have to have them sit to pass on information, telling stories is a phenomenal communication method and the kids take the information on board very easily. To the point now that it is not unusual to have parents come to me after class and ask me to deal with a particular topic in my stories or meditation time.

Just be careful if you love to talk or tell stories because the kids will figure that out and use it to get you talking and telling your stories rather than working. Mind you I can't help but find that often more endearing than misbehaving but you do have to be careful of it. I have made it a practice to get one of my co-instructor to say “Not Judo” when I get too sidetracked.

There are more ideas in "How I am Managing Student Behavior In Class" It's free to download so you may want to check them out.





The Secret To Learning Any Skill

Learning Any Skill Well

This little video is right on the money. It basically says that the secret to learning any skill is to start it slow. It may seem obvious but years of Judo experience have shown me that it is not.

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Over the years I have developed a saying for when I'm teaching swimming or Judo: "Do Right not Fast". The meaning is simple: take your time to get your technique as correct as you can by doing it slowly. Don't try to do it fast. Speed will come with accuracy. Without accuracy, speed is a hindrance.

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The video is about learning spinning skills, as in spinning staffs, etc. Martial artists love spinning staffs. Watching this video will help if that is what you want; although it has never been my thing. But the most important takeaway you can get from watching is the principle.

Next time you want to improve your technique or learn a new Judo throw or even learn to spin a staff, do yourself a favor. Slow down. You'll learn faster.





Slow is smooth, smooth is fast



Partner Judo Training Exercises, Fun, Used Cautiously

Partner Judo Training Exercises

Here is a Facebook video of some really fun partner Judo training exercises that you can use in your warm-up time in class. But although it should go without saying, they should be used with caution. However, if they are used cautiously they are a lot of fun.

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Some of these are straightforward and can be used with any age and size of Judoka. The first one, in particular, I have used in the junior class and the kids and the parents watching had a lot of fun. But others require that there is an appropriate skill level to be safely performed and still others require that the partners are evenly matched by size and skill.

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As long as you keep in mind the above caution these exercises will build muscle and skill levels in a way that is not only fun but great preparation for competition.

I particularly like the version of leapfrog. I have always had a problem with the value of leapfrog exercises. I could never see how they were supposed to help skill development for Judo. But the version in the video not only helps with cardio training but also helps to teach turnouts in a different and valuable way.

For some reason I am unable to embed this video but you should have no trouble using the link below:

Partner Judo Training Exercises





Vale Professor Tostito Drogo

Vale Professor Tostito Drogo

I just wanted to write a little tribute to Professor Tostito Drogo. I only met him over a couple of days when he came to give instruction at a Kata seminar. But I was so touched by his gentleness that I felt compelled to write something.

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From the Facebook posting :https://www.facebook.com/100063241628637/posts/222983086486411/

Vale Professor Toshiro Daigo Yesterday Professor Daigo, 10th Dan and one of the greats of judo, passed away. He was a great friend to Victorian Judo and will be missed. RIP. Toshirō Daigo (醍醐敏郎), (2 January 1926 – 10 October 2021 aged 95 ) was the Chief Instructor at the Kodokan and a manager of the Japanese national team. Before his death, he was one of only three living Kodokan 10th dan and one of only 15 to have attained this rank. He was All-Japan Judo Champion in 1951 and 1954, and the author of Kodokan Judo: Throwing Techniques, a definitive text on judo throws.

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Judo: Why is it so Hard to Learn?

Judo: Why is it so Hard to Learn?

Judo is a form of martial arts that is considered the most challenging form to execute and engage in - even for a martial arts master.

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Apparently among some Judo is considered the most challenging form of martial arts because the different forms of intricate grip fighting are hard to grasp, many moves and takedowns are intricate and require precise timing along with strength, the sport takes a toll on your bones and muscles (Judo fighters get continuously thrown down on the floor), it is a difficult sport for beginners to excel at, it is a sport that requires an immense and constant amount of fine-tuned cardio and speed, and finally all the small-tuned movements make Judo seem repetitive.

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Key Takeaways:

  • Fighting with a grip is an art where small details that make a huge difference.
  • Judo can feel counterintuitive to us because a penetration step is not easy for us humans to learn.
  • Judo is very tough on the body because being thrown to the floor hurts your bones and muscles.

"In short, although judo is a difficult skill to learn, it's also highly rewarding and looks beautiful when it's done correctly."

Atribution: https://blackbeltmag.com/why-judo-is-hard-to-learn?





Professor Toshiro Daigo: In Memory

Professor Toshiro Daigo: In Memory

I can't say that I knew Professor Toshiro Daigo per se but I did do some training under him. He was here in Australia for a short time with Ms Taeko Nagai Sensei to do some seminars in 2007 and I was very proud to have been able to participate.

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I found both Professor Toshiro Daigo and Ms Taeko Nagai Sensei to be incredibly personable. As you would expect I learn so much from this seminar and given that the instructors were so personable as well you can naturally expect that the whole event was very memorable.

Pictures of Professor Toshiro Daigo

I need to confess that I was a little besotted with them both to the point of embarrassing myself by doing something I never do to any kind of celebrity and asking them for their autograph. Their English was limited but their amusement was also clear as a smile came across their faces when they told me that I already had it when they signed my certificate.

It amuses me to say that I learned a valuable lesson. I am not an autograph person.

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It is always sad to lose someone but the knowledge that is lost to Judo is in this instance the afterlife's gain. At least some of that knowledge is now passed on to my own club through me from what I learned at that seminar. Professor Toshiro Daigo will be missed







Top 5 Commonly Mispronounced Japanese Words in Judo

Top 5 Commonly Mispronounced Japanese Words For Karate and Judo

There are five words that people mistakenly pronounce all the time in the dojo we'll find out their correct pronunciation in this video

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To many English only speakers Japanese is hard. It is a beautiful language and I have been plugging away at it for some time. But as with any language it has it's subtleties and because, in Japanese, those subtleties are to do with the sound of a word all too often, what you think you are saying is not what you are actually saying.

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It is true that in English the same but don't have the same meaning. But this idiosyncrasy is even more pronounced in Japanese. At least in the spelling of the word. But unlike English, a Japanese word changes its meaning depending on where you put the emphasis in the word.

that is the whole point of this video. It is by a native Japanese speaker who has very clear English and although the video is designed for Karate people the words talked about are the same words used in Judo.

Personally, I found what was say very enlightening. However, I am one of those that thinks understanding the language used helps to understand the nature of the sport and sometimes even better understand the moves or throws. I encourage you to watch it.









Judo Classes & Things that make Judo Unique

What is Unique about Judo Classes

The first thing you learn in judo classes and practically all Asian Martial Arts is how to bow. Something that is foreign to most other activities in western life.

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Why is this important? Because it teaches respect. Something that is precious and often all too rare today. As well as all too often too absent from most sports.

In most forms of Martial Arts, the second things you are taught is how to kick, punch or grapple. But in Judo the second thing you learn is how to fall and how to get up from that fall.

Knowing how to fall is an extremely valuable asset in life.

Image of a Judoka finishing their breakfall during Judo classes
Judoka Falling

If you know how to fall, not only do you know how to get up from being thrown on the mat but you need never be concerned about falling in your everyday life. I don't know if you can imagine the difference it makes to your willingness to tackle many tasks when you are not concerned about falling.

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It Is Often A Strange Sight

It is often a strange sight to none Judo players, to see students breaking out in laughter after a very hard fall.

I've watched people fall and seriously hurt themselves, all because they do not know how to fall. Yet a Judo player does not shy away from it. More than that, the same fall that would seriously hurt someone else is taken in the stride of a Judo player.

I have had many students come to me with stories of how knowing how to fall has saved their lives.

A Metaphor For Life

Knowing how to fall is a metaphor for life. There are many things in life that will throw you. You can try and overcome this by being better than everybody else. But sooner or later you will be beaten and you need to know how to get up and recover from the fall.

There are many things that you can learn from Judo but respect and knowing how to fall are the single most important and that's what makes Judo unique.







Achilles Tendinitis Treatment via Achilles Stretches

What Achilles Tendinitis Treatment Involves

The Achilles tendon is easily injured if not cared for properly. Achilles tendinitis treatment involves wearing the proper shoes and achilles stretches to help keep the ankle flexible and mobile prior to exercise.

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The most common cause of injury is overuse. It is common to overuse the tendon if exercises are done too soon before the ankle has been conditioned to handle a lot of movement.

Wearing the proper shoes is also important. There are shoes that are designed to handle physical exertion. With the right warm up and shoes you can prevent injuries to the soft tissues in the ankle.

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Key Takeaways:

  • Achilles tendon injuries are very common in sports that require running and jumping.
  • The Achilles is the strongest tendon in the body and is used to point your foot and toes down.
  • In order to prevent Achilles injuries, you need to warm up and stretch properly.

"There are a number of causes and risk factors associated with Achilles tendonitis and Achilles tendon rupture."

Read more...





Nordic Curl Exercise: A Help To Prevention Of Hamstring Strains

In Judo, as in all sports hamstring strains are one of the most common injuries. They lead to substantial amounts of lost competition and training time.

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Strength coaches are often the ones tasked with managing hamstring strain. Not just to minimize the chances of an injury in the first place but also to reduce future strains. Because having suffered one strain an athlete is much more likely to be injured again.

One technique that is often used is the Nordic curl and recent analysis suggests that it is very effective.

See this infographic from Chris Beardsley from Strength & Conditioning Research HERE.

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Even so, is not quite clear how the Nordic curl produces its benefits.

It is an eccentric exercise so it increases fascicle lengths and short biceps femoris fascicles that are a risk factor. However, some conventional (eccentric-concentric) exercises can cause similar increases that have to date not been identified as having injury-prevention potential.

See this infographic from Chris Beardsley from Strength & Conditioning Research HERE.

Whatever the reason, if you are a Judo or any other sort of competitor and you are prone to hamstring strains and you aren't already using Nordic Curl exercise, it is worthwhile talking to your strength coach and introducing them as we know that they can help.

If you are not familiar with the nordic curl exercise The video below should help.









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